Michelangelo Antonioni and Monica Vitti on the set of L’eclisse, 1962.
Photo by Robert Frank.

Michelangelo Antonioni and Monica Vitti on the set of L’eclisse, 1962.

Photo by Robert Frank.

#Michelangelo Antonioni      #Monica Vitti      #L'eclisse      #Robert Frank      #Cinema      

4 months ago

Dominique Sanda, international film star who began as a model, was discovered by [Robert] Bresson for Une femme douce, and made her name with Bernado Bertolucci’s The Conformist, quickly followed by Vittorio De Sica’s The Garden of the Finzi-Continis. Recent projects were Steppenwolf, India Song, and Novecento for Bertolucci. She told Vogue, ‘Between the cinema and me it was, instantly, love.’ She has a son, Ian. Here in Saint Laurent’s suit à la Russe.
—Georgina Howell, 1975

Photo by Helmut Newton.

Dominique Sanda, international film star who began as a model, was discovered by [Robert] Bresson for Une femme douce, and made her name with Bernado Bertolucci’s The Conformist, quickly followed by Vittorio De Sica’s The Garden of the Finzi-Continis. Recent projects were SteppenwolfIndia Song, and Novecento for Bertolucci. She told Vogue, ‘Between the cinema and me it was, instantly, love.’ She has a son, Ian. Here in Saint Laurent’s suit à la Russe.

—Georgina Howell, 1975

Photo by Helmut Newton.

#Dominique Sanda      #Helmut Newton      #Georgina Howell      #Yves Saint Laurent      #Fashion      #Cinema      

4 months ago

CG at sixty. Attorney-partner-friend Stanley Fox: ‘He really didn’t want to play a romantic lover any longer. He said he didn’t feel he was believable.’
—Nancy Nelson, 1991

Photo by Universal Pictures.

CG at sixty. Attorney-partner-friend Stanley Fox: ‘He really didn’t want to play a romantic lover any longer. He said he didn’t feel he was believable.’

—Nancy Nelson, 1991

Photo by Universal Pictures.

#Cary Grant      #Stanley Fox      #Nancy Nelson      #Cinema      

4 months ago